Vide was also one of the first albums where I was able to integrate pieces of harsh noise in my music. I was experimenting at my level with loops on cheap mixing tables with effect pedals. A lot of the album is more of a noisy-rocky-industrial oriented, but I tried to mix harsh noise with classical guitar, another obsession. I’m a bit sad I didn’t try to do more of this kind of fusion of instruments. The roundness of the classical guitar and the harshness of the loops, so sweet and terrible at the same time, total distorted chaos. What a beautiful feeling.
With time, I forgot about this album, but it was used in an RPG maker's video game, and I’m really happy it got to have a new life. I’m sure not a lot of people understand what I’m talking about in my French songs. But, hey, if I can spread my queer antifascist songs in heavy grinding role playing games all over the world, I won’t mind at all! - universe that I composed for an older game jam, I was thinking of creating an album as a soundtrack for a 2D game where you play a little dog saving the world from a really weird prophecy.
Two to three tracks later, I wrote the Free Music Archive community, and was hyped to be broadcasted on the Liz Berg’s and Cheyenne’s WFMU shows. So this album came together really fast. I did some quick pixel art drawings to illustrate everything, and it was done.
One day, I’ll play and perform 