Biography
New York-based saxophonist and composer Sam Newsome works primarily in the medium of solo saxophone, an approach through which he gained world-wide critical acclaim with the release of his 2009 recording Blue Soliloquy: Solo Works for Soprano Saxophone, which received a five-star review in Downbeat magazine.
Many of the notes and sounds that comprise his compositions and improvisations are derived from his own personal sound palette of extended techniques: multi-phonics, flutter tonguing, percussive slap tonguing, soprano saxophone specific micro-tones, air sounds, key clicks, air hisses, acoustic sound manipulation, Tartini tones, and various forms of oral cavity manipulation. Newsome sees himself more along the lines of a visual artist who paints with notes and sounds rather than shapes and colors. “My music, “ says Newsome, “is a type of improvisatory art music in which jazz functions more as a resource than a musical genre to be interpreted with stylistic specificity.
Even though Newsome’s approach is unorthodox, it has proven to be very fruitful—musically and critically.
In 2017, he was nominated for the Herb Albert Award in the Arts; in 2016, he received the NYFA Artist’s Fellowship for the Music/Sound category; the 2016 Jazz Journalist Association (JJA) selected him as a nominee for Soprano Saxophonist of the Year; and he placed #4 in the Soprano Saxophone category in the 64th Annual Downbeat Critics Poll--just behind Wayne Shorter and Dave Liebman.
Newsome has also released six critically acclaimed solo saxophone CDs including Sopranoville: Works for Prepared and Non-Prepared Saxophone (2017); The Straight Horn of Africa (2014); The Solo Concert: Sam Newsome Plays Monk and Ellington (2013); and The Art of the Soprano, Vol. 1 (2012). Jazz writer Ed Enright, from Downbeat Magazine, wrote that Mr. Newsome’s The Straight Horn of Africa cd was “a modern masterpiece.”
As a performer, Newsome is a frequent collaborator with drummer Andrew Cyrille, vocalist Fay Victor, saxophonist David Liebman, and pianist Ethan Iverson. He also plays in the bands of AfroHorn, and frequently performs solo saxophone concerts around New York and across the country.
Lastly, Newsome is an associate professor of music at the Brooklyn campus of Long Island University, where he is the music program coordinator, and teaches courses in jazz improvisation, music theory, and directs the University’s jazz ensemble.
[somenewmusic.com]
Many of the notes and sounds that comprise his compositions and improvisations are derived from his own personal sound palette of extended techniques: multi-phonics, flutter tonguing, percussive slap tonguing, soprano saxophone specific micro-tones, air sounds, key clicks, air hisses, acoustic sound manipulation, Tartini tones, and various forms of oral cavity manipulation. Newsome sees himself more along the lines of a visual artist who paints with notes and sounds rather than shapes and colors. “My music, “ says Newsome, “is a type of improvisatory art music in which jazz functions more as a resource than a musical genre to be interpreted with stylistic specificity.
Even though Newsome’s approach is unorthodox, it has proven to be very fruitful—musically and critically.
In 2017, he was nominated for the Herb Albert Award in the Arts; in 2016, he received the NYFA Artist’s Fellowship for the Music/Sound category; the 2016 Jazz Journalist Association (JJA) selected him as a nominee for Soprano Saxophonist of the Year; and he placed #4 in the Soprano Saxophone category in the 64th Annual Downbeat Critics Poll--just behind Wayne Shorter and Dave Liebman.
Newsome has also released six critically acclaimed solo saxophone CDs including Sopranoville: Works for Prepared and Non-Prepared Saxophone (2017); The Straight Horn of Africa (2014); The Solo Concert: Sam Newsome Plays Monk and Ellington (2013); and The Art of the Soprano, Vol. 1 (2012). Jazz writer Ed Enright, from Downbeat Magazine, wrote that Mr. Newsome’s The Straight Horn of Africa cd was “a modern masterpiece.”
As a performer, Newsome is a frequent collaborator with drummer Andrew Cyrille, vocalist Fay Victor, saxophonist David Liebman, and pianist Ethan Iverson. He also plays in the bands of AfroHorn, and frequently performs solo saxophone concerts around New York and across the country.
Lastly, Newsome is an associate professor of music at the Brooklyn campus of Long Island University, where he is the music program coordinator, and teaches courses in jazz improvisation, music theory, and directs the University’s jazz ensemble.
[somenewmusic.com]
